📄 Abstract
Basanta Raas Leela is a prominent cultural and spiritual performance in Manipur, celebrated during the spring season, specifically on the full moon night of Sajibu (Cheitra). This vibrant dance form, deeply rooted in Gaudiya Vaishnavism, depicts the divine interactions between Lord Krishna and the gopis, emphasizing themes of love, joy, and forgiveness. Introduced by King Bhagyachandra Maharaj in the 18th century, Basanta Raas Leela integrates elements from significant texts such as the Brahma Baibrata Puran and Geet Govinda of Shri Jayadeva Mahakavi. Incorporating ideas from works like Padakalapataru, Sangeet Madhaba, and Raas Ullasantantra, the performance showcases intricate choreography and lyrical beauty, elevating the narrative to a transcendent experience. Even while enacting parts of the Shrimad Bhagavata, certain episodes are thoughtfully omitted, allowing for a focused exploration of love and longing. The performance not only serves as a festive celebration but also acts as a medium for expressing devotion, fostering community engagement, and reinforcing the spiritual bonds among participants and spectators. Unique features of Basanta Raas include episodes like Abher Khel, where Krishna joyfully plays with colors, and Radha Maan, which highlights the emotional dynamics between Krishna and Radha. These narratives enrich the cultural tapestry of Manipur, reflecting its historical and religious evolution. By presenting a vivid portrayal of divine love and devotion, Basanta Raas Leela plays a crucial role in preserving Manipuri cultural heritage, promoting a sense of identity, and ensuring the continuity of traditional practices. As a dynamic expression of faith, it underscores the importance of cultural rituals in enhancing communal harmony and spiritual enrichment.
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📚 How to Cite:
Rajkumari Jiteshwori, Dr. P. Lilabati Devi , SACRED RITUALS AND OFFERINGS IN BASANTA RAAS PERFORMANCE , Volume 12 , Issue 1, January 2026, EPRA International Journal of Multidisciplinary Research (IJMR) , DOI: https://doi.org/10.36713/epra25685